Beyond Baroque

An Evening of Music JAZZ Films with Mark Cantor Jazz-on-film.com

An Evening of Music JAZZ Films with Mark Cantor Jazz-on-film.com
“I’ve Just Gotta See It But It Ain’t On YouTube Blues”

Sunday October 12 at Beyond Baroque, 681 Venice Bl, Venice, 90291

preshow:5:45 pm – live music AvantFunkJazz Poetry with BSP
6:15 More live music The Great American Songbook Suzy Williams, Brad Kay, Ginger Smith & Kahlil Sabbagh
7pm-films

Cinema historian Cantor screens jazz, blues, folk music, Western Swing and just plain “pop” films drawn from the Celluloid Improvisations Music Film Archive. These rare film clips cannot seen on YouTube, or found on commercial DVDs. Featured on screen, in a full two hours of music on film, will be such artists as Duke Ellington, Louis Jordan, Dinah Washington, Phil Woods, Dakota Staton, Benny Goodman, Frank Sinatra, Archie Shepp, Louis Armstrong, Lee Konitz, Gerald Wilson and many more. http://www.jazz-on-film.com/

Celluloid Improvisations is an archive of jazz (and jazz influenced and/or related) music preserved on 16mm sound film, videotape, laserdisc, DVD and various digital formats. The collection includes more than 8,000 separate performances, and while the archive’s holdings focus on jazz, they also include such related forms of American music as blues, Swing, Western Swing, “pop,” rhythm and blues, country-western, vernacular dance, vaudeville and variety arts, etc.

In addition to the preservation of music performance on film, one of the major focuses of the archive is gathering and evaluating as much information as possible about each of the films. A significant emphasis is placed on the identification of soundtrack musicians and on-screen (sideline) performers, including musicians, dancers and variety artists. Close attention is also paid to recording and sideline dates, and production personnel.

Films from the Archive have been shared publicly over the past forty-five years for a wide variety of sponsors, including Playboy Enterprises, The National Academy of Recording Arts and Sciences, The International Association of Jazz Record Collectors, Monterey Jazz Festival, California African-American Museum, Academie du Dance (Paris, France), Healdsberg Jazz Festival, Jewish Community Center of San Francisco, Festival de Popoli (Florence, Italy), Rio de Janiero Festival of Jazz on Film, and many others.

Along with the public exhibitions of jazz films Mr. Cantor has served as a consultant in the production of a large number of documentaries and feature films, as well as books and magazine articles related to music on film. His footage has been widely used by television/documentary/CD-ROM/web site and DVD producers, and has been seen in dozens of presentations, including the Academy Award-nominated A Great Day In Harlem

https://dvd.netflix.com/…/A-Great-Day-in-Harlem…/558280

and Ken Burn’s documentary Jazz

Mr. Cantor was a professional educator who taught all levels of school from kindergarten through college extension. He retired from teaching in 2011. He has written liner notes for jazz recordings and has assisted in their production. His comprehensive history and filmography on Panoram SOUNDIES and jukebox shorts of the the 1940s, will be published in late 2022.

As a well-known authority on the subject of jazz on film Mr. Cantor is regularly contacted by filmmakers, television producers, newspersons and writers for information relating to jazz music and its documentation on film.

Host: Gerry Fialka https://en.wikipedia.org/wiki/Gerry_Fialka
Free, but donations appreciated
Plenty of free parking in lot to the east, other side of SPARC

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